Romantic, architectural, and human motifs, as well as Persian and Mughal art, inspire the motifs and patterns. Green, indigo, deep red, black, yellow, and ivory are the most common colours utilised. Mirrors, shells, and beads, which are artfully placed in between or around the patterns, add to the embroidery's beauty. Many needlework methods in Kutch include mirrors or abhla, which make the textiles gleam and sparkle. Water is thought to be represented by the mirrors, as its value in such an arid location cannot be overstated. It is also thought to be effective in warding off the evil eye. It's also probable that Kutch embroidery's use of mirror work has its origins in Islamic art and architecture.
Kutch embroidery can be traced back to the'mochis,' a society of shoemakers who also worked on royal linens and decorative things. This particular type of embroidery is also thought to have been brought about by Kathi cattle breeders, a group of wanderers associated with Mahabharat's Karna. Their work evolved over time, and they began to produce the fine needlework that distinguishes Kutch embroidery, which features a wide range of patterns, moods, and themes.
Kutch work embroidery has numerous kinds, styles, themes and colours that vary from community to community and area to region. Different forms of needlework provide information about the maker's and wearer's caste, social standing, and religious connection in addition to being decorative.
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